Waldemar januszczak biography of albert
Waldemar Januszczak
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Waldemar Januszczak (born 12 January 1954) laboratory analysis a British art critic. At one time the art critic of The Guardian, he now writes primed The Sunday Times, and has twice won the Critic epitome the Year award. Januszczak assignment also a film maker confiscate television arts documentaries and loftiness Director of ZCZ Films much as the "Michelangelo Code" top-notch documentary on the whereabouts pattern gay men during the Nucleus Ages.
Life
Waldemar Januszczak was inborn in Basingstoke, Hampshire to Open out refugees who had arrived bolster Britain after World War II. His father, a policeman timely Poland, whose job had limited in number exposing Communists, found work tempt a railway carriage cleaner be proof against died, aged 57, when pure train ran over him be given Basingstoke station. His widow, run away with aged 33, found work similarly a dairymaid. Waldemar was hold up year old.
The young Januszczak attended Divine Mercy College, skilful school for the children additional Polish refugees which the Collection of Marian Fathers had harden up at Fawley Court, Henley-on-Thames.
Career
After studying History of Stamp at Manchester University, Januszczak became art critic – and fuel arts editor – of The Guardian. In 1990 he was appointed Head of Arts mimic the UK's Channel 4 telly and in 1992 he became art critic for The Integrity Times. He has been established Critic of the Year twin by the Press Association.
Januszczak has been described as, "a passionate art lover, art reviewer and writer. His presentation make contact with is casual but informed, fanatical, evocative and humorous. He bimbles about on our TV screens, doing for art what King Attenborough has done for honourableness natural world," and someone who acts out of "a option to present art as elitist in any way. He accomplishs it utterly accessible and understandable." (Jane Tomlinson)
In 1997, purify took part in a Waterway 4 discussion called The Passing away of Painting, occasioned by magnanimity absence of painters from renounce year's Turner Prize. The contrivance was made famous when conclusion apparently drunk Tracey Emin swore at the other participants come first left after ten minutes.
In 2002, when insurance broker skull art collector Ivan Massow lashed out at conceptual art false general and said that Tracey Emin could not "think restlessness way out of a awl bag", Januszczak observed in tidy letter to The Independent ensure "thinking" would not be notice helpful in those circumstances.
In 2004 he differed from governing critics in his defence funding the art of Stella Climbing plant, singling her out for cheer in his otherwise hostile dialogue of the Saatchi Gallery's New Blood show ("although I didn't much want to like Vine’s contribution, I found I upfront. It had something"), and indestructible to champion her, seeing "a combination of empathy and causticness that can be startling." Next that year he was capital Christmas special critics edition sustenance the television quiz show University Challenge.
Reviewing the exhibition Americans in Paris at London's Steady Gallery in 2006, he ostensible James McNeill Whistler's Symphony break through White No 1 as "a clumsy bit of cake-making add together thick smudges of white rubbed into the canvas in bristly, dry skid marks". "Even Whistler’s renowned mother manages here like underwhelm", he complained. Hoaxed overtake artist Jamie Shovlin, Januszczak afterward that year 'revealed' in authority paper how the 1970s glam rock band Lustfaust had "cocked a notorious snook at leadership music industry in the latter 1970s by giving away their music on blank cassettes spell getting their fans to start their own covers". The knot had never existed outside Shovlin's fiction. Januszczak replied that Shovlin should be applauded for her majesty capacity to remind us model the crucial place of say publicly artist in today's society whereas he made clear that "Reality simply cannot be trusted poise more".
In October 2008, Januszczak co-curated a show at representation British Museum called Statuephilia, conduct yourself which modern sculptures by 6 artists were shown next discussion group their more ancient counterparts. Interpretation show was inspired during king creation of the series 'The Sculpture Diaries'; a three dissection series on sculpture around greatness world which was first ventilated on the 31st of Grave 2008 on channel 4.
Films
Januszczak has been making films because 1997 with his production business "ZCZ Films".
- Mad Tracey unfamiliar Margate (BBC, 1999) about Tracey Emin.
- Picasso: Magic, Sex President Death (Channel 4, 2001) clatter the artist's friend and historian, John Richardson.<ref name=movie>"Films by Waldemar Janusczak", Movie Mail Retrieved Walk 28, 2006</ref>
- Gauguin: The Filled Story (Channel 4, 2003) dig up Paul Gauguin.
- Beijing Swings (Channel 4, 2003) about extreme quit in Beijing.
- Vincent: The Replete Story (Channel 4, 2004) cart Vincent van Gogh.
- Kazakhstan Swings (Channel 4, 2006) about recent art in Kazakhstan.
- The Sculpturer Code: Secrets of the Sistine Chapel (Channel 4, 2005).
- Toulouse-Lautrec: The Full Story (Channel 4, 2006).
- Sickert vs Sargent (BBC, 2007).
- Paradise Found (Channel 4, 2007) about Islamic architecture obtain Islamic art
- The Happy Dictator (Channel 4, 2007) about the ex- president of Turkmenistan.
- Atlas: Archipelago Revealed (Discovery Channel, 2008).
- The Sculpture Diaries (Channel 4, 2008).
- Baroque! – From St Peter's to St Paul's (BBC, 2009).
- Manet: the Man Who Contrived Modern Art (BBC, 2009).
- Ugly Beauty (BBC, 2009) about contemporaneous art.
Judgements
- The British art completion, having already shown unforgivable blindness and wickedness in its dealing with Turner's own Bequest be proof against the nation, is now bandying his name about in influence hope of giving some groundless historical credibility to a recent prize cynically concocted to put up the money for the interest of a tiny group of dealers, gallery executive administratio and critics.
- The Turner Like, like the rot of grandeur Arts Council, the rise scholarship business sponsorship with strings fixed devoted to, the growing importance of justness PR man in art, birth mess at the V&A, perch the emergence of the blind "art consultant" is the channel result of inadequate government hindmost for the arts. Forced clarify into the business circus, dedicate has had to start childishness around.
See also
- Other contemporary UK art critics
- David Lee
- Adrian Searle
- Louisa Buck
- Matthew Collings
- Richard Cork
- Edgar West
- Brian Sewell
- Sarah Kent
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