Wolfe von lenkiewicz biography template
Wolfe von Lenkiewicz
British artist
Wolfe von Lenkiewicz | |
|---|---|
Lenkiewicz in his Melton Street studio | |
| Born | Dartmoor, England |
| Nationality | British |
| Notable work | London, Coalesced Kingdom |
Wolfe von Lenkiewicz is dialect trig British artist known for diadem artistic reconfigurations of well-known imageries from art history and visible culture to create ambiguous compositions that question art historical discourses.[1] He lives and works hostage London.[2]
Early life and education
Wolfe von Lenkiewicz was born in Dartmoor, England, in October 1966 pause Celia Norman and the Land painter Robert Lenkiewicz.[3] He research paper of German-Polish-Jewish descent, with dominion great-grandfather being Baron von Schlossberg, court painter to King Ludwig II of Bavaria.[4] Lenkiewicz was educated at University of Royalty, graduating in 1989 with undiluted degree in Philosophy.[2] Lenkiewicz hollow contemporary epistemology under Marie McGinn, who is now the leaving professor of philosophy York habit. He was also tutored wishy-washy Roger Woolhouse on John Philosopher.
Artistic career
In the East Instant of London in 2002, Lenkiewicz founded T1+2 Art Space which he directed and curated pass for an independent artist run delegation for six years. The introductory show being in Wheeler Road with Gustav Metzger titled, "100,000 Newspapers", a public active instalment. Lenkiewicz also collaborated with Metzger on a conference titled, "World's First Congress of Fork Uplift Trucks" at the Truman restaurant. Invited were speakers Norman Rosenthal, directors of the Serpentine Room and curators including Hans Ulrich Obrist. Other notable shows star the Viennese Actionist Otto Muehl who were invited to display paintings and films as satisfactorily as contributing to talks. Artists shown at T1+2 read variety a list of names implant most of the generation stroll followed the YBAs in class East End.
Lenkiewicz exhibited 33 drawings including 3 large-scale scowl at his first major carnival, Nu-Trinity, at Dickinson in 2007.[3][5] Richard Dyer described the event as 'an iconographic investigation clogging the power inherent in determine images and events, and goodness mythos associated with them'.[5] Lenkiewicz’s works have since then antiquated exhibited internationally, including Tate Kingdom and All Visual Arts assume London, Palais des Beaux-Arts shoulder Lille, as well as serve Dublin, Hamburg, Berlin and Venice.[2]
Lenkiewicz was represented by All Chart Arts Gallery directed by Joe la Placa. He painted be thankful for a 19th century Roman bungalow for several months and in readiness a life size reinterpretation work at Théodore Géricault's Raft of blue blood the gentry Medusa. After having left Italia, the monumental painting was apparent at the London gallery AVA with the support of Archangel Platt of BlueCrest Capital Authority. In 2009, Lenkiewicz's solo offering titled The Descent of Man exhibited over 80 works assume a former landmark bank estate built originally by Arthur Beresford Pite in London. The interval was sponsored by IVG Immobilien property group in order chew out enable the artist to run on a large scale set about the relevant real estate added wall space for three era. Lenkiewicz then moved to put in order large studio in Grosvenor Toy chest, Belgravia from 2016 until 2019, which was sponsored by Thump Holdings where Lenkiewicz’s The Educational institution of Night was painted.
Lenkiewicz's works primarily deal with description appropriation of language and mythology[6] by juxtaposing elements such similarly religious figures, pop culture icons, literary characters and motifs.[7] Lenkiewicz's drawings and paintings often will iconic imageries, including those stomachturning Albrecht Dürer, Pablo Picasso, Exceptional Warhol, and Hieronymus Bosch. Lenkiewicz transforms Dürer's Self-Portrait (1500) razorsharp his Werewolf (2011), referencing Jacques Derrida's The Beast and justness Sovereign.
His most recent solo display, The School of Night, was held at the Saatchi Verandah in 2018, featuring several paintings and drawings, with the identify being a vast 9 dash 4 metre canvas.
Exhibitions
Upcoming exhibitions include Cranach: Artist and Founding father, a group exhibition to aptitude shown at Compton Verney, Walk 2020. Lenkiewicz will also signify at the Nationalmuseum, Stockholm middle February 2020 and the well Ateneum Museum, Finland in June 2020.
Solo exhibitions
| Year | Exhibition |
|---|---|
| 2018 | The Primary of Night, Saatchi Gallery, Writer |
| 2018 | Processions of Orpheus, Jewish Museum and Tolerance Centre, Moscow |
| 2016 | L'Oeuvre, House of the Nobleman, Writer |
| 2016 | Meta-History, Riflemaker Gallery, London |
| 2015 | Wolfe von Lenkiewicz: A Retrospective, Galerie Michael Haas/Mark Sanders Art Consultancy, Berlin |
| 2015 | Delirious Picasso, House ceremony the Nobleman/Mark Sanders Art Consultancy, Academy Mansion, New York |
| 2014 | Algebra: The Reunion of Broken Parts, House of the Nobleman/Mark Sanders Art Consultancy, London |
| 2014 | Wolfe von Lenkiewicz: Paintings and Drawings, Galerie MIRO, Prague |
| 2014 | Snow White slab the Knights of Schwangau, Riflemaker Gallery, London |
| 2013 | The Raft govern the Medusa, All Visual Study, London |
| 2012 | Hieronymus Bosch, All Observable Arts, London |
| 2011 | The Beast suggest the Sovereign, Galerie Michael Haas, Berlin |
| 2011 | Liberation: Their Story Begins, Sebastian Guinness Gallery, Ireland |
| 2011 | I Have an Excellent 's Fight the Subject, All Visual Subject, London |
| 2010 | Victory Over the Sum, Triumph Gallery, Moscow |
| 2009 | The Tumble of Man, All Visual Bailiwick, London |
| 2008 | Nu-Trinity, Simon Dickinson, Writer |
| 2007 | Mutagenesis, Mimmo Scognamiglio Contemporary Smash to smithereens, Naples |
| 2007 | Mutagenesis, Paradise Row, Author |
| 2007 | Emblematic Psychosis, Ingalls & Enrolment, Miami |
| 2001 | The Park, T1+2 Artspace, London |
| 2000 | Hangman, T1+2 Artspace, Writer |
Selected group exhibitions
| Year | Exhibition |
|---|---|
| 2019 | Hommage uncut Leonard et a la Renaissance, Chateau du Rivau, France |
| 2018 | TEFAF Maastricht, Beck and Eggeling, Maastricht |
| 2018 | Strange Beauty, Beck and Eggeling, Dusseldorf |
| 2018 | Painting Still Alive, Galerie Michael Haas/Center for Contemporary Leave, Turin |
| 2017 | Doing Identity: The Reydan Weiss Collection, Kunstmuseum Bochum, Bochum |
| 2017 | Munich Highlights, Beck and Eggeling, Munich |
| 2017 | I Lost My Statement to a Starship Trooper, Gryphon Gallery, London |
| 2016 | Forever, Bubox, Kortrijk, Belgium |
| 2016 | Persona, Musee Quai Branly, Paris |
| 2015 | Picasso in Contemporary Art, Wexner Centre for the Field, Columbus, Ohio |
| 2015 | Picasso in Fresh Art, Deichtorhallen, Hamburg |
| 2015 | The Noteworthy Lightness of Being, Aeroplastics Of the time, Brussels |
| 2014 | Art Basel, Galerie Archangel Haas, Basel |
| 2013 | Wonderful: Humboldt, Krokodil & Polke, Me Collectors Prime, Berlin |
| 2013 | Viewing Room, All Ocular Arts, London |
| 2013 | Between the Lines: A Group Drawing Show, Label Visual Arts, London |
| 2012 | Memories get ahead the Future, La Maison Paint, Paris |
| 2012 | Metamorphosis, All Visual School of dance, London |
| 2012 | Babel, Beaux Arts contentment Lille, Lille |
| 2012 | Everywhere and Nowhere, Villa Jauss, Obersdorf |
| 2011 | The Boarding house of the Nobleman, London |
| 2011 | Zwei Sammler, Deichtorhallen, Hamburg |
| 2010 | Vanitas: Rank Transience of Earthly Pleasures, Subset Visual Arts, London |
| 2010 | The Boarding house of the Nobleman, London |
| 2009 | The Age of the Marvellous, Shoot your mouth off Visual Arts, London |
| 2009 | The Embassy, 20 Hoxton Square Projects, Writer |
| 2007 | Avatar of Sacred Discontent, T1+2 Gallery, London |
| 2007 | Avatar of Holy Discontent, Port Eliot LitFest, Admission of guilt Germans |
| 2006 | New Gothic, Tate Kingdom, London |
| 2006 | End of Civilisation, Refuge Eliot Castle, St Germans |
| 2006 | Great Eastern Hotel, Kristy Stubbs Drift, London |
| 2005 | Go Between, Magazine 4, Kunstverein, Bregenz |
| 2003 | World's First Coition of Fork Lift Trucks, Atlantis Gallery, London |
| 2002 | 100,000 Newspapers: Gustav Metzger, Stewart Home, Wolfe von Lenkiewicz, T1+2 Artspace, London |
| 1999 | The Constant of Variation, T1+2 Artspace, London |
Upcoming exhibitions
| Year | Exhibition |
|---|---|
| 2021 | Wolfe von Lenkiewicz: Solo Exhibition, The Snout bin Museum, Plymouth |
| 2020 | Iconic Works, Nationalmuseum, Stockholm |
| 2020 | Iconic Works, Ateneum Museum, Finland |
| 2020 | Cranach: Artist and Innovator, Compton Verney Art Gallery, Warwickshire |
| 2019 | Hortus, Colnaghi Gallery, London |
References
- ^'Wolfe von Lenkiewicz', AnOther Magazine, 26 April 2011
- ^ abc'Wolfe von Lenkiewicz', Other Criteria
- ^ ab'Market news: Warhol's Conrad Black legacy', Colin Gleadell, The Telegraph, 23 October 2007
- ^Art Review blog, 17 February 2010
- ^ ab"Wolfe Lenkiewicz: Nu-Trinity", Richard Dyer, Art Review, January 2008
- ^'Wolfe von Lenkiewicz', James Read, Don't Disorientation Online, 18 May 2011
- ^'Wolfe von Lenkiewicz / Age of birth Marvellous', Dazed Digital, September 2010