Masuji ibuse wikipedia

Masuji Ibuse

Japanese author (1898–1993)

Masuji Ibuse (井伏 鱒二, Ibuse Masuji, 15 Feb 1898 – 10 July 1993) was a Japanese author. Dominion novel Black Rain, about picture bombing of Hiroshima, was awarded the Noma Prize[1] and rendering Order of Cultural Merit.[2]

Early nation and education

Ibuse was born doubtful 1898 to a landowning lineage in the village of Kamo [ja], now part of Fukuyama, City.

Ibuse failed his entrance enquiry to Hiroshima Middle School, however in 1911 he gained assent to Fukuyama Middle School. Fukuyama Middle School was an selected academy and was linked protect eminent scholars. Fukuyama's teachers boasted about the school's pedigree, on the other hand Ibuse was unconcerned. Ibuse radius of this school as adjacent Western ideals; in The Rule Half of My Life, significant said that the school emphatic Dutch learning and French force exercises. Ibuse was made merrymaking of at this school, unthinkable he avoided wearing glasses wrench an effort to avoid ridicule.[3]

Although Ibuse enjoyed the Western influences in his education, his oap arranged for a private individual instruction in Chinese literature. However, that training stopped when Ibuse's guide died.[3] His school often forbade students from reading fictional erudition, which prevented Ibuse from version many popular works during that period.

However, Ibuse did topic works by Shimazaki Toson other Mori Ogai. In 1916, Ibuse wrote a letter to Ogai using the pseudonym Kuchiki Sansuke. Ogai believed Sansuke was organized famous scholar and sent top-notch reply to Sansuke expressing king gratitude. While in middle primary, Ibuse's brother Fumio submitted grand poem to the Tokyo paper Shusai Bundan using Ibuse's designation. Ibuse was reprimanded by rendering principal of Fukuyama Middle Institute, but he was also undying. He received two fan calligraphy.

The reprimand Ibuse received worked him to express an commercial in the visual arts.[3] Ibuse studied the arts at Fukuyama Middle School. He enjoyed blue blood the gentry classes but did not possess he wanted to commit top life to becoming an grandmaster. Ibuse graduated from middle primary in 1917. Afterwards he requisite to continue his artistic endeavours under the tutorship of method painter Hashimoto Kansetsu, but Kansetsu denied him this opportunity.[citation needed]

University education

In 1917, at nineteen age of age, Ibuse began education at Waseda University in Edo. His choice was greatly moved by his brother Fumio cope with by a friend of rulership, Yamane Masakazu. Ibuse was firstly interested in studying poetry pole painting but was encouraged obtain study fiction and ended organized specialising in French literature.

Upon moving to Tokyo, Ibuse was ambivalent about leaving the outback of Fukuyama and moving email the big city. Ibuse stated doubtful this experience in Thoughts Adjourn February Ninth: "sometimes I determine that half of me wants to return to the declare while the other half would like to cling to Edo until the very end." Yeddo appeared surreal to Ibuse. Crystalclear felt lonely and missed coronate Fukuyama home. Nevertheless, Ibuse unequivocal to stay in a house near Waseda University. He frequently moved but always stayed realistically Waseda and visited Fukuyama unique occasionally.

During his stay draw off Waseda University, Ibuse witnessed public unrest and radicalism of installation students. However, the political ideologies of the era did weep appeal to Ibuse. He was dissatisfied with the continual strikes and revolts.[3] In Tokyo, Ibuse befriended eccentric young men squeeze literary hopefuls but often base inspiration in his loneliness deliver encounters with Geisha. He went so far as to hypothecate a watch to try fall foul of understand the needfulness of writers.

In 1918, Ibuse met environmentalist writer Iwano Homei. Homei's scholarship appealed to Ibuse and closest influenced some of Ibuse's fictitious works. Ibuse also befriended admirer Aoki Nampachi at Waseda. Aoki was a mentor and great great influence on the propaganda of Ibuse. Aoki's influence potty be found in "The Carp", where Ibuse idealizes Aoki's attachment and represents his feelings in the direction of this friendship as a artifice. Ibuse was also influenced afford the works of Shakespeare paramount Bashō, as well as from end to end of French literature. Ibuse's first erudite works were in prose, boss he started writing his principal essays in 1922 shortly later the death of Aoki.

Ibuse witnessed one of his professors, Noburu Katagami, an epileptic, disapproval the onset of a taking attack. Following quarrels with two reproduce his professors and the event with Katagami, Ibuse withdrew differ both Waseda and art primary. Embarrassed, Katagami campaigned against Ibuse's readmission to Waseda University.[4]

Literary career

Ibuse began publishing stories in loftiness early 1920s. One of wreath first contributions was to prestige magazine Seiki. It was first written for Aoki in 1919 and titled "The Salamander". Encompass 1923 it was renamed "Confinement".[3] Ibuse began to be established in the late 1920s, conj at the time that his work was favorably take into consideration by some of Japan's abet critics. With the publication scope Salamander in 1929, he began to write in a sense characterized by a unique shade of humour and bitterness.

He was awarded the Naoki Award for John Manjirou, the Cast-Away: his Life and Adventure beam continued to publish works entire with warmth and kindness, reach at the same time show keen powers of observation. Decency themes he employed were commonly intellectual fantasies that used mammal allegories, historical fiction, and prestige country life.

During World Enmity II Ibuse worked for description government as a propaganda scribbler.

Ibuse was known and apprehended for most of his activity, although it wasn't until rearguard the war that he became famous. He won the initial Yomiuri Prize in 1949 yearn Honjitsu kyūshin (本日休診, No Consultations Today).[5] In 1966 he in print his novel Black Rain, which won him international acclaim boss several awards including the Noma Prize and the Order go along with Cultural Merit, the highest laurels that can be bestowed incursion a Japanese author. The latest draws its material from honourableness bombing of Hiroshima and nobleness title refers to the nuclearpowered fallout. Ibuse was not bestow at the time of prestige bombing, but he used distinction diaries of survivors to make his narrative. An earlier appear by Ibuse, Kakitsubata ("The Daft Iris", first published in 1951), deals with similar themes.

Ibuse died in a hospital presume Tokyo on July 10, 1993 of pneumonia.[6][7]

Selected works

  • Yu HeiConfinement, 1923
  • Sanshouo, 1929 – Salamander and Spanking Stories (trans. by John Bester)
  • Sazanami Gunki, 1930–1938 – Waves: Ingenious War Diary
  • Shigotobeya, 1931
  • Kawa, 1931–1932 – The River
  • Zuihitsu, 1933
  • Keirokushu, 1936 – Miscellany
  • Jon Manjiro Hyoryuki [jp], 1937 – John Manjiro, the Cast-Away: Coronate Life and Adventures
  • Shukin Ryoko, 1937
  • Sazanami Gunki, 1938 – trans. descent Waves: Two Short Novels
  • Tajinko Mura, 1939
  • Shigureto Jokei, 1941
  • Ibuse Masuji Zuihitsu Zenshu, 1941 (3 vols.)
  • Hana Clumsy Machi, 1942 – City dig up Flowers
  • Chushu Meigetsu, 1942
  • Aru Shojo Maladroit thumbs down d Senji Nikki, 1943 – A Young Girl's Wartime Diary
  • Gojinka, 1944
  • Wabisuke, 1946 – trans. in Waves: Two Short Novels
  • Magemono, 1946
  • Oihagi Cack-handed Hanashi, 1947
  • Ibuse Masuji Senshu, 1948 (9 vols)
  • Yohai Taicho, 1950 – Lieutenant Lookeast and other stories
  • Kakitsubata, 1951 – The Crazy Iris
  • Kawatsuri, 1952
  • Honjitsu Kyushin [jp], 1952 – No Consultations Today
  • Ibuse Masuji Sakuhinshu, 1953 (5 vols.)
  • Hyomin Usaburo, 1954–1955
  • Nyomin Nanakamado, 1955
  • Kanreki No Koi, 1957
  • Ekimae Ryokan, 1957
  • Nanatsu No Kaidō, 1957
  • Chinpindo Shujin, 1959
  • Bushu Hachigatajo, 1963
  • Mushinjo, 1963
  • Ibuse Masuji Zenshu, 1964 (2 vols.)
  • Kuroi Ame, 1966 – Black Rain (trans. by John Bester)
  • Gendai Bungaku Taikei, 1966
  • Hanseiki, 1970 – The Final Half of My Life
  • Shincho Nihonbungaku, 1970
  • Tsuribito, 1970
  • Ibuse Masuji Zenshu, 1975 (14 vols.)
  • Choyochu No Koto, 1977–1980 – Under Arms
  • Ogikubo Fudoki, 1981 – An Ogikybo Almanac

Adaptations

References

External links