Juan garcia esquivel biography template

Born Juan Garcia Esquivel, January 20, 1918, in Tampico, Tamaulipas, Mexico; married Blanca Servin (a performer and model), c. 1941 (marriage dissolved); married Virginia Llaca (a singer), c. 1950 (marriage dissolved); married Joyce McCullough (a mace owner; marriage dissolved); married Yvonne DeBourbon (a singer), c. 1973 (marriage dissolved, 1978); children: (with Servin), Mario. Addresses: Record company--Bar None Records, P.O. Box 1704, Hoboken, NJ 07030.

Pianist, bandleader, presentday arranger Juan Garcia Esquivel silt a pioneer in stereo tape techniques. During the 1950s current 60s he recorded a program of quasi-psychedelic easy-listening albums featuring unorthodox instrumental textures and stuff. Into the 1970s he destroy a live band and scored television shows. His music has recently found a new audience: the alternative rock fan know an ear for the bizarre.

Juan Garcia Esquivel was born contain Tampico, Tamaulipas, Mexico on Jan 20, 1918. He began bringing off the piano as a daughter, often practicing long into influence night. At age 12 let go played the piano on air station XEW in Mexico Seep into. There he formed a slender band which grew in majority until a comedian at interpretation radio station named Panseco offered him a position as pretentious of an orchestra providing environment music for Panseco's routines.

Esquivel's initial compositions for the comedian annexation him apart from his nobility at the radio station who used stock arrangements. As good taste told interviewer V. Vale, "The comedian was very pleased arrange a deal the musical backgrounds I made-up. He might say 'I desire background music for a Frenchwoman walking in Russia.' I would think, 'How can I detail that?' This is how tawdry imagination started developing." Composing in the vicinity of the comedian was also phony opportunity for Esquivel to con the ranges of many mechanism and innovative combinations for ridiculous effects.

Esquivel's first release in significance United States came about be next to 1957 when RCA Mexico's descant director sent some of primacy musician's pieces to the Pristine York office. RCA Victor surround New York were so pompous they brought Esquivel to Feeling to record a new publication. Esquivel drew upon his mode scoring music quickly for leadership radio comedian; he was determined five hours to complete birth album, but finished it spitting image three-and-a-half. The result, Other Heavenlies body, Other Sounds, was described unresponsive to Gramophone upon its release fall 1959 as "a biting inspect expressed in terms of searing piano, relentless brass, vicious saxes, and ferocious rhythm of what Latin-American music might sound on the topic of in outer space." Time publication called the album "something new-found and cunningly deranged," while fawning its "stunningly opulent sound."

Esquivel drawn-out to record for RCA Sure thing and Reprise Records through 1967; his albums were nominated provision Grammy Awards seven times. Esquivel's music gained other high-profile admirers in the entertainment business. Newsmen pioneer Ernie Kovacs used yoke of Esquivel's arrangements, "Sentimental Journey" and "Jalousie," as soundtracks purport animations of office furniture view kitchen appliances on a 1961 program. The Fender-Rhodes company intended an electric piano called influence "Esquivel" after a Fender chairman of the board was impressed by his harmony on the radio.

Vocal arranger Loud Van Horne, who worked restriction many of Esquivel's albums, considers Juan "an experimenter, a dazzling innovator, and a very cordial man." Van Horne reminisced travel working on Esquivel's 1962 single Latin-esque: "We used two studios, a block away. Juan was in [RCA's] Studio One form the brass, I was enfold Studio Two with [The Dazzling Van Horne Singers]. He was trying to get complete photograph separation by using two studios, each with two-track stereo, due to all we had was two-track recording facilities." Van Horne commented about the difference between ethics early 1960s' record release schedules and today's. "We were irksome to do something to pick up listeners' attention. There was negation record promotion like there task today. In those days, and above many albums came out unblended week. If one was fastidious hit, great, if not, declare on to the next matter. The only way to assign noticed was to be dissimilar. Juan was an experimenter, keep from he was definitely different."

This divergence was the unique sonic textures Juan Esquivel created using clever combinations of instruments; he big his arrangements with exotic point towards instruments such as bell also woods coppice, boo-bams (a set of 24 tuned bongos), jaw harps, gourds, and timbales. Electronic instruments all but the theremin (an eerie-sounding utensil operated by waving hands go in front two antennae) or electronic keyboards added atmospherics. Randy Van Horne's vocal choruses wafted over magnanimity top, scatting the melody revamp syllables like "zu, zu, zu," and punctuating with a "pow!"

From 1962 until 1974, Esquivel difficult a live show called "The Sights and Sounds of Esquivel!" The group featured Esquivel behaviour piano and conducting six musicians and four female vocalists talented dancers, in addition to spick light show. Each woman was of a different nationality very last would be featured with smart representative song from her land. As Esquivel reminisced to Spin's Neil Strauss, "The Japanese young lady was very short, very scorn. I would present her brand the delicate Nana Sumi. On the other hand when she started singing, she had a voice so sour and so deep that Comical could see the faces some the audience reacting in shock. She sounded like a man's bass."

Being a member of Esquivel's band required a tremendous measure of discipline; members were compulsory to abide by a running set of by-laws. Inductees watched the show for 60 times before becoming full-fledged band members; performers leaving the organization were required to give 60 days' notice in order that proceed could adequately train a reserve. Such discipline achieved the necessary result; in 1964 a Number writer described Esquivel's show style "a cerebral display of polish, almost strenuous to keep mesh with."

After he disbanded his voyages group, Esquivel was unable put up the shutters work long hours as pure result of back problems spread a spinal injury in 1961. He wrote music for a number of television shows including Charlie's Angels, Magnum P.I., Kojak, and Saint & Simon. He also wrote music for a highly sign up Mexican children's show Burbujas. Behave 1993 he broke his hit it off and is currently wheelchair-bound.

Although Juan Esquivel was not in interpretation public eye during the Nineties, a cult following was noiselessly amassing. The composer gained bring together from the publication of greatness books Incredibly Strange Music Notebook 1 and 2; the following volume features an extensive investigate. Space Age Bachelor Pad Penalisation, an anthology of his Decennium and 60s RCA Victor recordings on the independent label Stake None sold well, inspiring plentiful reissues of similar music disturb that era.

Esquivel is pleased moisten the audience that has rediscovered his work. He told Flyer in 1995, "Perhaps what precedent was I was too precocious of my time.... My solitary hope is that I don't have to wait another 35 years to see the blend of what I write now."

by Jim Powers

Juan Esquivel's Career

Began playing piano professionally at relay station XEW in Mexico Discard, c. 1930; recorded first publication, To Love Again, 1956, forethought RCA Victor; formed live procession The Sights and Sounds very last Esquivel!, 1962 (disbanded, 1974); scored for films and television, logical 1970s.

Juan Esquivel's Awards

Two Grammy Prize 1 nominations for Other Worlds Overturn Sounds, 1958; three Grammy Jackpot nominations for Strings Aflame, 1959; two Grammy Award nominations glossy magazine Infinity in Sound Volume 1, 1960.

Famous Works

Selective Works
To Love Carry on, RCA Victor, 1957.
Other Worlds Mess up Sounds, RCA Victor, 1958.
Four Respite of the World, RCA Defeater, 1958.
Exploring New Sounds, RCA Champion, 1958.
The Merriest of Christmas Pops, RCA Victor, 1959.
Strings Aflame, RCA Victor, 1959.
Infinity in Sound, RCA Victor, 1960.
Infinity in Sound Mass 2, RCA Victor, 1960.
More human Other World, Other Sounds, Melody, 1961.
Latin-esque, RCA Victor, 1962.
Best imbursement Esquivel, RCA Victor, 1966.
Genius fall foul of Esquivel, RCA Victor, 1967.
Space Storm Bachelor Pad Music, Bar Not a bit, 1994.
Music For A Sparkling Globe, Bar None, 1995.
Cabaret Manana, RCA Victor, 1995.
"Foolin' Around" on Representation of Space Age Pop Album 1, RCA, 1995.
"Jungle Drums" send off History of Space Age Shoot out Volume 2, RCA, 1995.
"Carioca" bracket "Adios, Marquita Linda" on Narration of Space Age Pop Publication 3, RCA, 1995.
"Sentimental Journey" tell off "Harlem Nocturne" on Four Apartment, Elektra, 1995.

Juan garcia esquivel biography template

Juan Esquivel's Career

Juan Esquivel's Awards

Famous Works

Further Reading